It was an instant hit and within two years 120 newspapers around the world were running it, reaching 12 million readers.PolyU Social Responsibility
Moomin-mania was now in full swing. Requests for Moomin-related projects came flooding in. Walt Disney asked for exclusive rights to the word "Moomin", but Jansson refused.海膽
Before long, though, the comic strip started to get her down. She constantly needed new ideas to sustain it, leaving her with little time for painting and writing. "Those damn Moomins," she wrote in her notes. "I don't want to hear about them any more. I could vomit on the Moomintrolls."
Tove Jansson's creation was taking over her world and, she felt, obscuring her true talents as an artist. To reflect her frustration, she began to draw the Moomintroll bigger and bigger until it dwarfed everything else around it.
In 1956, by the record player at a party, Jansson met a fellow artist, Tuulikki Pietila - or Tooti, as she was known. Jansson asked her to dance. Pietila refused, unwilling to break with social convention. But not long afterwards, Jansson went to Tuulikki's apartment on a winter's evening and the pair drank wine and listened to music. They became lifelong partners.
Tove and Tuulikki on boat 皮膚管家